Classical music has played a central role in German music education since at least the second half of the 20th century. However, in more recent music pedagogical discourse, classical music remains a controversial topic. But what do music teachers think about classical music as a subject for music education? This topic has not yet been systematically researched in German-speaking music education. In this qualitative-empirical study, eight semi-structured interviews were conducted to address the question of how music teachers perceive classical music in music education. The data was evaluated using the Grounded Theory Methodology. The theory developed from the study indicates that music teachers have varying objectives when using classical music in music education. However, they generally consider it unfamiliar to their students. To address this situation, music teachers develop various methods and strategies. These can be categorized into three approaches for dealing with the unfamiliarity of classical music: avoidance, reduction/relativization, and utilization. The study's findings are contextualized within the framework of foreignness theory, music didactics, and transformational educational theory. This dissertation contributes to the field of music education in classical music, laying the groundwork for further theoretical, empirical, and didactic research.