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- Augmented Reality (1)
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- Institut für Computervisualistik (3) (remove)
One of the greatest goals in computer graphics is the aesthetic representation of objects. In addition to conventional methods, another field focuses on non-photorealistic renderings. The so-called example-based rendering is an area where users can transfer their art style to a pre-computed 3D rendering, using a hand-painted template. There are some algorithms that already provide impressive results, but their problem is that most of these procedures count as offline methods and are not able to produce results in real-time. For this reason, this work show a method that satisfies this condition. In addition, the influence of the run-time reduction on the results is investigated. Requirements are defined, to which the method and its results are examined. Other methods in this field are referenced and compared with their results.
The market for virtual reality is rapidly evolving regarding its hardware components. Further applications are the result of this progress. In addition to the gaming market virtual reality offers further possibilities and advantages in research. That way this technology provides the investigation of perceptual phenomena. Therefore the present thesis aimed to examine the induced roelofs effect in a virtual environment and in reality in front of a computer screen. The roelofs effect describes a misperception that occurs if a persons midline and a target surrounding frame are offset, which results in a false localisation of the object. Thus the present study provides insight into the influence of a computer screen regarding this effect. Moreover, conclusions concerning the suitability of virtual reality in perceptual research are drawn. The results obtained by the virtual reality indicated a greater degree of perceptual distortion. Therefore the fixed frame of the computer screen can be assumed as an additional orientation.
Im Bereich Augmented Reality ist es von großer Bedeutung, dass virtuelle
Objekte möglichst realistisch in ein Kamerabild eingebettet werden. Nur
so ist es möglich, dem Nutzer eine immersive Erfahrung zu bieten. Dazu
gehört unter anderem, Verdeckung dieser Objekte korrekt zu behandeln.
Während schon verschiedene Ansätze existieren, dieses Verdeckungsproblem
zu beheben, wird in dieser Arbeit eine Lösung mittels Natural Image
Matting vorgestellt. Mit Hilfe einer Tiefenkamera wird das Kamerabild in
Vorder- und Hintergrund aufgeteilt und anschließend das virtuelle Objekt
im Bild platziert. Für Bereiche, in denen die Zugehörigkeit zu Vorder- oder
Hintergrund nicht eindeutig ist, wird anhand bekannter Pixel ein Transparenz-
Wert geschätzt. Es werden Methoden präsentiert, welche einen
Ablauf des Image Matting in Echtzeit ermöglichen. Zudem werden
Verbesserungsmöglichkeiten dieser Methoden präsentiert und gezeigt, dass
durch diese eine höhere Bildqualität für schwierige Szenen erreicht wird.